With his extensive oeuvre and his significant art-theoretical writings, Willi Baumeister was one of the most important German artists of Classic Modernism. During his studies with Adolf Hölzel, he first met the Oskar Schlemmer who was to become a life-long friend. The 'Mauerbilder' - panels with a wall-like relief structure, created by adding sand and putty to the paint - brought about Baumeister's international breakthrough. His oeuvre is divided into many groups of works and displays a vocabulary of form that became more and more abstract. In 1928, Baumeister was offered a chair at the Städelschule in Frankfurt; in 1930, he joined the 'Cercle Carré', and in 1931 he became a member of the artist group 'Abstraction Création'. Baumeister was ostracised as a 'degenerate' artist by the National Socialists. He then lived a secluded life, wrote, and spent his time studying prehistoric and Oriental art, which influenced his 'Eidos' pictures and 'Ideogrammes'. After the War, he resumed teaching at the Art Academy in Stuttgart.
lithograph and collage on white handmade paper
30,5 x 22,5 cm image/ 35,2 x 27,3 cm paper / 12 x 8 7/8 in.
signed and dated lower right edition of 30
Painter and Palette
oil and sand on canvas
65 x 54 cm / 25 5/8 x 21 1/4 in.
signed and dated on the stretcher on the reverse 'Willi Baumeister 29 der Maler mit palette 1929'
Two Sitting Figures
pencil and charcoal over a charcoal sketch on chamois colored cardboard
40,4 x 33,6 cm / 15 7/8 x 13 1/4 in.
signed and dated lower right, inscribed '214' lower left, as well as inscribed 'P 42' lower right outside the edging line verso with studio stamp and estate number 1154 of the Baumeister Archive